At the end of last year I spent some time reflecting on what goals I hit and missed, as well as considering what I wanted to achieve this coming year. I won’t bore any of you with my self-reflection but I decided one of the major goals I wanted to set for this year was to force myself to write. This led me to doing a lot of research because I wanted to approach writing as an achievable goal, treating writing as a part time job that I was committed to rather than a hobby which I could pick up and put down based on my mood.

The video I’m sharing here is probably one of the largest gems I found while I was researching writing as a craft, so I wanted to share it for any current or perspective authors.

The ten methods he covers are:
The Hero's Journey
The Three Act Structure
Organizing Plot Points
The Mirror Moment Method
The Snowflake Method
Lester Dent's Master Plot Formula
Scenes and Sequels
The Story Grid
Beats and Pre-production
Writing into the Dark (an organized approach to writing without an outline)

Additionally he provides links to books that further explain the methods he covers, though to be fair the links he provides are Amazon referral links that give him a little bit of kick back. Honestly I think that is fair since he researched and organized everything necessary to make the video.

In my opinion having an outline is a lot like having a map when you’re setting out on a trip. However while I couldn’t imagine writing without an outline, I was surprised to find out that a lot of people I talked to online are either unaware of the benefits of outlining or were afraid to because they feel like they’d be limited by what they wrote in their outline.

Additionally I encountered some people who even when they saw the benefits of outlining, couldn’t come up with with a format they were able to understand and capitalize on. This make sense since outlining a story is a different beast depending on you methods and goals. Add in the fact that these people were stumbling through with only some vague several year old memories from school and it makes sense that they would find the concept of outlining a story daunting.

I won’t spoil the video with my opinions about which method works best or the combination method I’m using at this point, but I will say that three of the formats lend themselves well to writing online novels.

    TalenX This is great, thanks for sharing (I'm yet to watch; I will after this).

    I think what throws most people off about "outlines" is that these have to be clean, specific, bulleted, organized, etc. I've found that they don't. My so-called outline is a massive steaming pile of plot dump that I don't even follow all that closely -- the general direction and goal posts remain what and where they are, but I can still freely modify what I do in between. Even up to the last minute, I can change the details or add things that weren't in the original plan.

    I'd say having an outline is mostly freeing. It is only slightly restricting when it comes to the direction or goal posts I mentioned. If any of those ever needs to be modified, I'm scared the whole thing would just collapse, so I guess I'll watch the video now and maybe learn how not to let that happen. Thanks again.

    Edit: It seems I'd been using a variant of the Beats and Pre-production method. The Story Grid is intriguing (wish he'd explained more though) and I'm so gonna try Writing into the Dark one day.

      WinterBud There is more information on the web about the Story Grid. My understanding is that the book itself is a compilation of writer's podcasts. The book's website has various resources and exerts online if you're curious.

      links

      Additionally there are a series of lesson videos on the publisher's YouTube channel that supplement the Story Grid. You can find it all over YouTube but here's a direct link.

      [media]http://www.youtube.com/playlist?list=PLN9df6jf_yAvWPCA3CKuhZhoDdQIWgiFq[/media]

      As far as Writing Into the Dark, Dean Wesley Smith puts up a lot of content on his website and seems to maintain good communication with his readers. You can access the whole (as far as I can tell) series of podcasts that he based his Killing the Sacred Cows series on.

      links

      Furthermore he hosts a series of workshops through Teachable.com if you're interested. They're fairly expensive for when you're first getting started but the prices are more or less in line with other courses I've seen listed online. Generally these sorts of workshops, either online or in person, are good for when you feel stuck in your craft or are trying to elevate your skills. Here's a link to to his curriculum.

      links

        TalenX Thanks for the links (wish I had money to burn haha, maybe someday)

          WinterBud Not sure if this is something you've considered, but things like buying books or taking classes can qualify for tax credits depending on where you are. I'm hardly an expert on taxes and I don't think it matters if you just take the standard deduction but it might be worth looking into. Hell even buying a new PC can qualify since you as you are using it as a tool to improve yourself. If you bought a new PC or a bunch of books last year it might be worth scrounging up your receipts and talking to a professional.

            TalenX I highly doubt the Philippines has laws that are that progressive (our lawmakers are shit), but thanks for the tip. I hope others would have use for it.

              I would like to know how Chinese web novel authors outline their novels and what it looks like. Because it will definitely look different compared to conventional outlines for normal sized novel of 80-100k length like the ones the video mentions.

              I've tried outlining conventionally and I'm not having much luck.

                BravelyNovice Actually I would imagine there outlines are remarkably similar to the outline you would use to develop a novel for print. The difference is how you break down the scope.

                Consider for a minute that if you took a webnovel and converted it for publication you would have to break it down into various volumes. If you skim these novels you'll see various arcs and breaks that naturally occur in the story. Some of the more well developed webnovels label their chapters in such a fashion.

                Therefore when you outline a webnovel you don't necessarily have to outline the whole project, but instead outline the arcs. I would still recommend developing an encompassing outline that organizes your arcs, but then break your story into manageable chunks and outline those as you write.

                Each different volume that you develop should encompass several different plots in order to keep your reader interested. The generally accepted standard is two and a half plots per segment, whether you're talking about a novel, a movie or a TV show. I'm not quite sure who came up with it first but I've encountered it in more than one book. The basic premise is if you have too little happening then you have a harder time engaging your reader where as if you dump too much on your reader at any given time then you risk overwhelming them.

                Again if you go back an skim through the webnovels you've read you'll see a similar trend in the better developed novels. Plots happening concurrently, things that occur outside of the main characters control, unintended consequences that stem from actions they chose; these things can make the worlds you create seem more alive and believable.

                The other side of this is the webnovels that don't outline. While I can say I can pick out which ones do and don't use an outline, after reading enough of them I can tell the ones where the author would have benefited from more robust organizing, such as a well developed outline.

                I'm sure you've encountered the same even if you never really thought about it. Novels where characters are introduced and quickly forgotten, or who are reintroduced later with very different sorts of behaviors and motivations. Numerous plots that are dropped and forgotten. Unfulfilling and rushed arcs where the author lost his interest or just decided to take his story in a random direction suddenly. These are the sorts of things having a well developed outline can prevent.

                I'll close with an article I found early last year when I was considering if I really wanted to try my hand at being an author. At the time I read it kind of depressed me because it highlighted that some of that talent in the online novel community are more shallow then I believed at the time. However later I realized that it also showed that a well developed author who took pride in their craft would be able to rise to the top.

                links

                  TalenX

                  You're right on about everything. Especially the part where not having an outline can make things messy. From what I know, most of my favorite/popular authors like IET, TJSS, Er Gen, Chen Dong outline. And while I do notice some human errors on some occasions, most of the time their stories are coherent and fine. And it also helps them churn out tons of words each day because they already know what to write.

                  I firmly believe that outlining/planning, or deciding how the story will begin and end before the actual writing itself is the way to write, at least if I want to reach the height of say, someone like TJSS who writes 5k-10k words each day.

                  Even though I know that, I'm still working on it. My novel just did a complete 360 flip in direction/theme on the third chapter and it's because I didn't do a complete outline, just muddling through with chapter-by-chapter outline. But it's my first novel and I have to be shameless enough to just commit such a mistake anyway. At least I know what not to do later on. And if I'm not even able to write something that's obviously not good, I won't even have the courage to write anything at all. That thought finally pushed me to start writing even if I'm clueless about writing or it's bad.

                  The amount of web novels I've read isn't small. Of 80 or so pages on novelupdate of Chinese web novels, I've read most of them that had more than 200 chapters. It doesn't really help me outline or write at all though. I've been under the illusion that one gets better by reading for a long time. It was only now that I realize that there's no substitute for writing itself.

                    BravelyNovice Actually being a reader can help make you a great author, according to some it’s in fact essential. A few years ago I read a quote that said (roughly) ‘reading is incredibly important to writing, it’s the only internship we get’. However I can’t find the book I remember it from and my internet searches are coming up dry so I can’t properly cite the source.

                    However I did find a rather good one from Stephen King. "If you don't have time to read, you don't have the time (or the tools) to write. Simple as that.”

                    More relevant to the conversation I actually know an exercise that can be applied to novels you’ve read in order to learn how to outline. I copied this over from a post I put on NU a couple of months ago, didn’t see the need to rewrite it

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                    I'll start this off by saying that I can't swear this idea is original since I've read more then a few books on writing, but I've done it often enough to say that it's helped me develop as an author. If anyone can find the source, or maybe the proper name since I always just call it Reverse Outline, I'll be happy to credit them.

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                    Pick a light novel, yes specifically a published light novel, it becomes obvious in a minute. This works best with a novel you're familiar with.

                    Create a basic outline for the plot. In the case of a light novel they usually only have a few chapters and those are the points in the first layer of your outline (told you it'd be obvious). Skim through the novel and make the major events/mood shifts the second layer under that. Depending on the novel you chose you might add a third or fourth layer.

                    After you've filled out the Reverse Outline go back and use different colored markers/high lighters/crayons a make a check mark for different types of developments. Things like character development, cliches, fan service events, etc.

                    One additional benefit of using a published light novel is that you should also mark which chapters have illustrations. Illustrations are almost always added to capitalize on a specific scene or moment to pull the reader deeper in. Recognizing that and what/how they wanted pull you in will give you a great deal of insight.

                    Now you've got a general outline for the novel, probably not as good as the one the author used but serviceable. Look at the different types of events and try to figure out the pacing the author was trying to set, how he wanted the novel to develop while you read it. In the case of a good novel you should see an arc as it develops, however it might not be obvious the first time you do this exercise.

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                    After you've made one, I recommend you make a bunch more. Not all at once or with any sort of rush but keep doing the exercise so that you get a greater understanding of the outline process. Do a bunch of different authors and see how different authors use pacing in different ways. Do a series of books by the same authors, this not only lets you see how the plot develops over a series of books but it also lets you see how the author grew as a writer.

                    Once you've done several light novels move on to another format: web novels, regular novels, tv shows/series, movies, video games, etc. To let you know though this is the end of easy mode.

                    When you're looking at web novels/regular novels you have to puzzle out the major points in order to create the first layer of the Reverse Outline. You can't just copy the table of contents because plots are usually spread over several chapters so it becomes a challenge to decide how to divide the plot points. Relax though because even if you get something very different then what the author came up with while writing, it's still correct for you because it's how you understood the plot.

                    Actually the second easiest format to Reverse Outline in my opinion is movies because you can switch the chapter menu on your DVD/bluray player and that's your first layer.

                    I recommend doing this with both good and bad novels, authors you both enjoy and maybe not as much. From good authors you learn what sort of pacing and balance of events you enjoy. From authors you don't care for you learn why you didn't like it. As a master class sort of exercise, take the events from a series you didn't like and rearrange them it a way you think would be superior to the way they were written. Add events, cut out pointless characters and develop the ones that are there.

                    I'm not suggesting you write full on fan fiction but take the story apart to it's basic block and reorganize them to build a better story. The major advantage of this is that by taking apart someone else's work and understanding why you didn't like it will help you take apart you own stories and see why others might not experience it the way you want them to.

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                    Okay so that’s the basic exercise. If you notice it uses the academic outline method that most people get taught in school. I’ve also heard it referred to as the Skeleton method since you create a skeleton of your story.

                    However it’s easy enough to adapt it to most of the outlines detailed above by working in reverse. In particular using a story you know can help you understand the Hero’s Journey, the Three Act Structure and Plot Points. To a lesser degree it helps with Scenes and Sequels as well but you need to understand the method a little first.

                      Which reminds me, I was surprised when I re-watched the video that he didn’t use ‘Save the Cat!’ by Blake Snyder for the Three Act Method. While it’s a more advanced version of the Three Act Method, it demonstrates the proper pacing and structure that are critical to developing a good story. Snyder breaks down the into different beats, which is why this is referred to as the Beat Sheet Method.

                      You can find it all over the web if you search for either “Save the Cat!” or the “Beat Sheet Method”. I included link to a basic article on the method but if you want a deeper understanding of the method you will need to either dig around the web or pick up one of the “Save the Cat!” books. In particular “Save the Cat! Writes a Novel” came out last October and has been getting pretty good reviews. According the reviews it encapsulates the entire method so you don’t have to pick up any of the earlier books. As a heads up in case anyone decides to pick it up, the author is Jessica Brody, since Blake Snyder has passed.

                      links

                        WinterBud Randy Ingermanson apparently put his Snowflake Method up for free on the web. I don’t know if it’s different from what’s in the book but it at least encapsulates the method. I wasn’t sure if this is one of the methods that intrigued you, but it’s on the web and it’s free so I wanted to share it with you since you said the resources you could commit to your writing were limited.

                        links

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