Chryiss that’s one of the most reassuring reviews, even though it hasn’t actually been reviewed, that I’ve read yet! ❤️
Yeah sure people give ‘reviews’ but I’m never sure how much I should take out of it. The thing most mentioned though is my update speed. It really makes me worried. I went on hiatus once due to having to move states. But after that I’ve been trying to be consistent. 2 chapters a week at most or 1 chapter If I’m extra busy.
But of course the speed still bites me. Is my story actually progressing? No one is giving me proper criticism besides mentioning the speed. 🤦‍♀️
I don’t actually want to be too fast. I feel like I’ll tire myself out and start posting chapters that I’m not actually satisfied with.
You’ve given me hope 😭
I still mean it when I say take your time with the reviews. I’m sure everyone wants good criticism

Thank you!

StenDuring LOL, I remember this guy. xD It’s one of the few covers I made that’s actually decent.

Yes, pure magic systems, like even in advent of the mage, are rare.

    Chryiss hello! With translation i mean that this was the link to my novel in English, I'm not a native English-speaking so my story is in Spanish and just want to know if this is easy to understand 😅

    Chryiss I don't know why this lazy brat in me suddenly scrolled down this thread!!! But But But, I was glad I read each and every review, finally got some apples to my eyes before sleep!!

    Did you like graduate in reviewing, specially critically reviewing??? You look so professional, I swear I am not exaggerating!!! WN should hire some reviewers like you and turn their review system much more interesting than this present spammed, buttered up, you are th best author reviews!!! I think most of the authors specially budding ones needs this very much!!!

    Good luck with chopping and yeah my eyes would now be around this thread with some snacks in hand!!!

      Mochimoshu Thank you! ❤️ But I not the best reviewer, just merely a good one. I’ve seen reviewers far better than me. For instance, Inimbus on RR is fabulous. I aspire to make reviews as great as his.

        Reserving my spot for "For We Are Many". I would link it but mobile is being dumb.

          Eighth Book: My Reincarnated Inamorata!

          Writing Quality: Below Average
          Story Development: Below Average
          Character Design: Below Average
          World Background: Below Average
          Stability of Updates: Above Average* --- I suggest uploading one chapter a day so that you have less of a period where there are no updates. I noticed you updated several in one day. Perhaps this was for the contest that I'm guessing this story was for(?), but I'm pretty sure you met the qualifying criteria. So there's no reason to upload 8 chapters all on Feb 11 but have no more updates up to now, Feb 20th. This is an updating recommendation in order to cater to how readers like to read on this site. They like consistency.

          Prologue---
          "A girl ran behind a boy with a big bag of cookies." This isn't the best way to start a story as it's not gripping enough. It's too simple and mundane, not a great hook. Instead, I'd combine the two scenes into one. The boy and the girl have to separate (the second scene), and the boy thinks back to the previous scene when she had fallen and he piggybacked her. He thinks about how he loves her, but that fate had its way of separating them. These thoughts of him are better suited for this second scene because it's more conducive in this context and swiftly gets to the conflict of their separation.

          Additionally, I caution with love at first sight for very young kids. Even if he's mature, at 7 years old, I don't believe a child has that clear and strong of the concept of romantic love. You can still keep "love at first sight" but depict it in a child's point of view that's very innocent and naive, like the fondness for a dear playmate.

          "She tripped off with her tiny legs letting the mother earth to eat her favourite cookies." Turn this into: "She tripped over her tiny legs, causing her favourite cookies to tumble to the ground." Saying Mother Earth is a little awkward for this simple falling context, so I don't recommend including it for this sentence. Besides that, I can clearly tell that English either isn't your first language, or you're still learning grammar and punctuation as these kinds of sentences are prevalent in your writing.

          Overall, this first prologue is definitely rough around the edges. In fact, I'd cut parts of it and incorporate the important act of separation as a flashback thought/reflection either in chapter one or later. I don't believe you particularly need this short prologue. Just jump right into the story.

          The actual first chapter is much more interesting and serves as a better starter than the prologue. It gives enough mystery (she's reincarnated? what body is she in now? what happened to her in the past) and action (she's being strangled) to intrigue the reader enough to continue reading. Onto the next scene, cool, she has her own high-tech lair, that's a little different, nice. Now the questions are answered to the reader about what happened to her old body and how her new body fits into this new timeline. The fact that her cousins recognized her and knew she's reincarnated at the start of the story is an interesting twist to the usual trope. Instead of the FL being the solo revenge act, she starts with two helpers.

          Continuing onto the proceeding chapters, she wants to use her husband for achieving her revenge. Your overall plot and conflict that you set up is so far good. It's what I expected from this genre story but executed in a slightly unexpected, different way. I stopped at chapter 7 because I felt that was enough to get to my overall conclusion for this story. This review is mainly for evaluating the start of your story, including how you set up the plot and introduce the characters.

          Firstly, the basic plot and conflict so far is good. But the pacing feels rushed along with the romantic conflict, that's why I deemed the story "development" as below average. Mia wants to use Xian for her revenge, but she worries about falling for him because she thinks he's a typical CEO that will cheat on her and not really love her. We as the readers know this isn't true (so far based on his inner thoughts presented). I do feel like Xian is too perfect. He's good-looking, successful, loving, and understanding. Even with Mia's supposed amnesia and slip-up's in her acting, he doesn't seem to be all that suspicious. Thus, both Mia's wariness of Xian, and Xian's lovingness and consideration feels all a bit contrived/forced for the sake of the story. I suggest slowing it down a bit and add some realism to it. Make Xian more aloof and suspicious to what's exactly happening. Also, I don't understand why he was choking her before? That seems rather inconsistent with how the rest of his character was portrayed. If he's faking it though, you need to accentuate this point better. And for Mia, she doesn't need to be so aware/scared of falling in love with him, or thinking of him fondly. Technically, he's a stranger. So except for her acting, it makes more sense to think of him as a stranger before she starts developing any nagging emotions for him.

          In conclusion, you have a good story idea going. But it's a little more than a skeleton at this point. I think you can flesh it out with more world and visual details, and introspective and realistic thoughts and actions of the characters. Additionally, grammar is a weak point of the story, so brush up on correct syntax and punctuation in order to make it flow better. I also recommend not using so many question marks and exclamations in narration. This makes the story feel very amateurish. Those ending punctuations ought to be for more significant and dramatic moments or questions. Instead, rework your sentences to properly end with a period. This will make your writing feel more "professional" and "serious."

          Good work, and good luck!

            Chryiss My eyes My eyes👀. I prowled here, in the forum just to catch up your reviews.

            Haha, you sure give best reviews in my opinion.

            Chryiss Hey there, do you think you will be doing more reviews in the future after you finish your current list? I wasn't prepared mentally to share my story on here yet. lol

              MeriemR I'm not sure, so I can't give a definite yes or no, just a possibly. I do know that it'll be a long time before it happens, if this does indeed re-open.
              The Lit Professor thread also gives great reviews, and they're still open as far as I'm aware.

                5 days later

                Ninth Book: A Serenade for the Innocent

                Writing Quality: Above Average
                Update Stability: Great
                Story Development: Above Average
                Character Design: Average
                World Background: Above Average

                Good grammar, few typos and errors overall. It might be due to you rewriting the first story though. While the writing is technically/grammatically sound, and there’s a relatively good range of vocabulary used, the prose and style feels lacking. But it lacks not because there’s not enough “stuff,” but because there’s too much. Surprisingly, for once, it feels like there’s too much self-introspection in the first person narrative. This connects a bit with the character design portion. The first story describes Margaux from her point of view too much. There’s paragraphs of how she views herself as above everyone else and being annoyed that she’s interested in a guy like John/being beaten in “popularity” and “fame” compared to her Student President Status. Even though I find her character generally unlikable, I don’t detract just because she’s not my cup of tea. In fact, there are moments when she’s quite relatable. In regards to writing her, I just simply feel like a lot could be cut about her without losing anything essential; in fact, it would make those details about her less redundant and more impactful overall. There’s also another aspect of the writing that feels off (not off as in wrong, but in that something’s missing which could elevate it to Great). The suspense and horror is generally well done, but again, due to over-focusing, like with her character, it also feels dragged out when it could be condensed to deliver a sharp more frightening impact. In short, the timing is off due to the length of the writing descriptions.

                More specially on character design. I was on the fence about average or above average. I settled on the former because I realized it’s about design, not depiction. The latter I touched upon in the above section in relation to writing style, while the former is about the strength, originality, and memorableness of the characters. Margaux has a strong, clear character, but it’s too generic. This might be due to the excess of details describing her and her every thought, but her whole character boils down to haughty af. I say this a little jokingly, lightheartedly. Most don’t delve into and focus on such characters, so that view was refreshing. However, the inner struggle she had wasn’t strong enough, which is why I deem her a relatively weak character. She falls too squarely into one category when it would’ve nice to give her more dimension, perhaps elaborate more on her conflicted feelings when John died. That’s the part I looked most forward to, what kind of psychological or emotional struggle would she have when he died after “meddling” with him. But instead of this being dwelled upon in the length that the previous descriptions of her character were, this crucial bit, the climax really, was lacking. This also includes how she went “crazy” when the “monster” chasing John came after her. I would’ve loved more on that.

                And touching lightly on John, I found him a bit more interesting, he seemed more promising with more potential, but instead he was just diminished to a simple scared prey. I understand this is the horror part, of being reduced to such a state, but it made him ultimately forgetful.

                Onto the plot and world background specifically, here you shined the most. It’s not common to see horror genres on here, so it was cool to see how went about creating suspense and mystery. With that said, as mentioned before, the “timing was lacking” to make the scariness even more chilling and the “monsters” more intriguing.

                In conclusion, I think you’re a good writer with good ideas, they just need to be refined to the next level by cutting some parts harshly out while diving more into others. The horror feelings and depictions are promising, but needs quite a bit of polishing.

                While I mostly focused on the first story in writing this review, I also read the second story, and the same critiques are consistent from the first story.

                You’re going down a cool, unique road. Continuing writing and refining, good luck!

                  The above story was a tricky one to review since it was an anthology of short stories. So if you @blairehawthorne have any further questions on what I said, let me know. For the sake of trying to not go over the 4k character limit for reviews, I was more general than specific in my points.

                  For instance, (SPOILER ALERT for anyone reading the story!) I thought about discussing the mention/usage of sexual assault upon John's death as one of the ways utilized to instill horror, but I didn't think it was a particularly helpful comment in comparison to the other things I said which assessed your writing on an overall level/view. Only if you want more specifics (ofc if you're okay enough with what the review said, that's fine too!), I don't mind answering~

                  Tenth Story: A Psychic's Scarlet Dream

                  Writing Quality: Average

                  The grammar is generally good overall with barely any quirks in syntax. My pet peeve is the usage of colons for dialogue like,
                  Kais: "Hi."
                  Sona: "Hello."
                  Using this form, and even the overall style of prose you're writing in reads very much like a theater play than an actual book story. This detracts from the immersion, making it feel like a narrator is continuously talking to me rather than me, a reader, getting immersed into the story. Additionally, it automatically limits and deprives you of speech verbs like he chuckled, screamed, wept, groused, etc. These give a lot of character and immersion to your story, so by using colons to express dialogue, you're missing out on further crafting a world and cast of characters that's easily visualized and experienced by the reader.

                  I also noticed that the dialogue itself needs a lot to be worked on. Much of certain sections feel very unnecessary where by the end of the whole conversation, I feel like I got nothing out of it. For instance, the conversations about killing the dragon between Sona and Kais was just a bunch of back and forth that didn't lead anywhere. I would suggest just cutting this out or omitting parts of the dialogue entirely. This also includes skipping the beginning first scene and jumping straight to Kais being attacked at home by two half-psychics. I believe this scene to be engaging and a better story starter.

                  Additionally, the switching of first and third person, especially in the first chapter, along with the switching of perspectives and settings from Kais to say Ro, is very discombobulating. It's confusing and clunky. If every chapter was designated to one perspective, then I think this issue would be cleared up somewhat. But currently, with the cutting from one perspective to the other as well as the shifts of "I" used in first person of Kais to then speaking about Kais and comparing his and others' powers doesn't feel very fluid or harmonious. I suggest sticking with one narrative and one perspective, at least, for every chapter. Lastly, as general, short recommendation, increase range of vocabulary.

                  Update Stability: Great
                  Nice and steady, several releases every week, good job pacing yourself!

                  Story Development: Under Average

                  The main problem here is due to the unnecessary dialogue which makes it feel like it's a bunch of back and forth and not much moving ahead. The only part where it felt like a good pace with necessary and interesting dialogue was when Kais was attacked in the first chapter by two people in his home. I suggest applying this to the read of the dialogues in the later chapters. I touch on this later in the world background below, but the story had a lot of telling rather than showing. I want to be able to envision Kais as he's on the island and moving around and interacting.

                  Character Design: Under Average

                  I don't have much of a grasp on the individuality of the characters. I get a general sense, but most of that is largely derived from their dialogue, which isn't enough and should be supplemented by more character introspection and details on their gestures and mannerisms. You do some of this already, but it needs to be pumped up more. With Kais especially, since he's usually in first person, I want to see more of his feelings rather a "monotone" reaction of the events happening around him. When he says that two half-psychics can't compare to a full psychic like him, I want to feel more of his confidence, show it, don't just say it. Overall, I'd like the characters to be more differentiated and definable. Some of the issue lays in having too many characters that the story is following, so we don't get a clear grasp on each before moving onto someone new.

                  World Background: Average

                  This actually is in-limbo between under-average, but since I deemed it to be on the stronger end, and one of the better aspects of your story that you did well, I bumped it to average. I understood what the world was like and where Kais was generally; although, the switching of narratives and perspectives definitely did trip me up. The main aspect that needs to be worked on is to do more showing and less telling of his settings, world, and what he's going to do. Again, this goes back to the beginning point about how this story reads more like a theater play script than an actual book story.

                  In conclusion, you have a good starting set of tools to make a good story with your writing abilities, but the organization and scope of the story is lacking. These are all fixable without impairing or greatly changing your essential plot and story, however. So continue writing, keep learning, and good luck!

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