- Edited
Hi. Well, for a start, I'm a new author just yet, so I don't have much of an opinion on this subject.
At first, I like to look for the character's feelings, so that there is not much confusion in that character. However, my tactic comes down to defining this in subtlety, sometimes leaving important feelings hidden so that it inspires confusion and frustration in the reader. The second way I use it is to play myself as a character, but invisible. It sounds like I'm on the scene, seeing and hearing everything with my own ears and eyes, reporting everything that happened with emotions flowing from my voice. Third narrative is the most similar to this, but sometimes I like to add the MC's own thought, for example.