Heck, if a Author on here has over 3 WN Contracts at the same time yet still manages, it shouldn’t be that bad right? Seems pretty lax?
Well I’m not really sure if it can really be called a contract at this current point in Webnovel. Since it’s not even close to a real published Author contract or the contracts in China.
Is a WN “Contract” really that bad??
It depends. Some authors might earn more posting on Amazon, others would barely sell a few books.
If we're only looking at earning potential, I heard you got 50% of the net profits. Which means profits after their costs. That's difficult to estimate because we don't know what those "costs" are. You could very well make next to nothing. You also need to consider that there are a lot of free spirit stones to gain and authors gain nothing from those which means that "paying readers" might not be paying at all.
Ultimately, only contracted authors can answer your question.
Depends on what's in the contract.
Marketing-wise. Either would require efforts from the author to promote the book for sale. I'd say having WN in the picture would make this a bit easier. With self publishing, you do everything, but you control it all too. There's no guarantee for profit. Having WN as a partner, might improve on those chances.
Only a contract writer can advise on this.
In general any contract where you get a percentage of the net profits should be avoided like the plague. It's basically the setup for one of the oldest legal scams in existence.
I contract you from company A (which I own). You get to receive 80% of the net profit.
I buy consulting services from company B (which I own). The fees just happen to be exactly whatever company A makes in net profit...
ThyUnknownSaint idk, the highest paid orig here in wn gets 3-4k dollars a month. while the one who relies in patreon, gets 2-5k dollars cause it depends with your update rate.
StenDuring sounds like a pyramid scheme
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From what I've heard from authors like Brandon Sanderson and the like, you should never accept a contract that doesn't net you a 100%. If you're selling off the world, the story, the characters, your time, and any potential sequels and prequels, you deserve to be paid for your work.
The publishers will still profit, don't think they will struggle for cash even with a good percentage or 100% going to the author. They can still sell out-of-country, they can still sell digitals, etc etc.
In Western cultures, the idea of WebNovel's contract that leaked awhile ago is absurd. It's broken and unfit for today's authors.
Maybe they changed it, but I honestly doubt it. Don't forget that WebNovel is a Chinese originating company, which has been known to underpay and overwork their authors and workers. Word-count and chapter-count are valued more in China than actual story and effort, it's why so many Wuxia-styled stories are million words or more.
I would never accept a WebNovel contract as it stands now, but that's just me. I'd rather write entirely for free and keep the rights to my plot and story than sell everything for a minimum wage in comparison to the rest of my State. I'm not struggling for money that much, I can live without being abused by a Chinese conglomerate. I'm also not young enough to be taken advantage of so easily.
Lets simplify this.
Contract = Money
Doesn't matter how much, money is still beautiful money.
So in a sense, the only dillemna with these contracts is deciding how much money a person can get.
That's such a simplistic and idealistic way of looking at it, it's absurd.
A contract isn't = to money, it's so much more complex. When you sign onto a contract with WebNovel and Qidian, you're not just magically receiving money now, you're now a product to sell. You, the author, are the product and the manufacturer. You're an employee, a peon.
A contract = employment, not money. Money is what you EARN from your work and employment, but a contract isn't directly money.
Maybe to someone from a third-world country, or someone not old enough to legally work would see the contract and it's barely scraping the bottom of the barrel minimum wage payout, and be excited, but I'm not excited or impressed.
Again, you're selling your work, your time, your story and ideas, and are defenseless to a massive Chinese conglomerate that already owns you the moment you sign onto the contract. It's not some magical money-maker, it's sweat and tears, and you as a writer deserve more and to be treated fairly by a Western publisher who won't strong-arm you with confusing contracts or vague promises.
I cannot second this hard enough. WN's contract standards are absolutely horrendous, like indentured servitude levels of bad. I personally think anyone that values the quality of their work, their quality of life, or having creative control over their creation would have to be pants-on-head retarded to sign on to one.
Seriously kids, if you live in a first-world democratic country, get a fucking agent who will get you real publishing contracts. Don't sign your work away to a Chinese sweatshop for pennies.
I'd also like to point out that if Webnovel is willing to offer you a contract, you're probably at a point where you could be making money with a patreon.
Maybe you should try to milk yourself first before signing something that will make you lose the rights to thousands of hours of hard work.
Just saying...
That's a very important bit, I'm glad you said it.
If you're offered a contract, it means you've already built up a large enough audience and collection of chapters to be worth making you a contracted author, so you might as well go directly to Patreon or Ko-fi and skip the middle man who wants to rip the rights to your story out of your hands.
You're not partnered right out of the gate, you need to already have a large influence on the site beforehand.
It's literally WebNovel trying to dip their hand in your stories potential profits, while shackling you down to their services.
I spotted this post last night when I was browsing the forums and I think the answer to this question is a little more complex then the attention it's being given. The last response was yesterday so I hope people will forgive me if I'm a little late to the party.
Ok first off I'm going to say that simply telling someone that if they can write a story they should get a literary agent and get published is a disservice. Being a professional writer is hard, ridiculously hard. This is a profession where it takes ten years of 'work' before people start to take you seriously and getting traditionally published in the first four or five years is a significant accomplishment.
And there is a reason for that: your novel probably sucks. I mean that 'you' as more of general you rather than targeting whoever is reading this individually, but unless you are truly blessed by the heavens your first novel is going to suck, probably badly.
That said, most web serials are also similarly bad. I took some time and went through all of the web serials I read on this site and several others and thought about each of them, and even the ones I really, really like are bad. At least if you consider them from a traditional publishing mindset. I couldn't even come up with a single case of a web serial that could be published 'as is'.
There's an axiom in writing where your 'first million words' are practice. That you're supposed to write your heart out and edit/revise until you're the best you think they can be and after you're done you throw them out and start over from scratch. That's what it takes to move from the 'novice' stage of being a writer to being an 'apprentice'.
While that seems both cruel and abstract there's a reason that it has stuck around. You learn to be a writer by writing, you have to struggle with it and immerse yourself into it in order to understand it. More than that you need to develop the skills to break down your own work into it's most basic blocks and separate the good from the bad. Kill characters you love just because they harm your overall story and eliminate plot lines and arcs because they don't really bring anything important to your narrative.
Now there are ways to shorten that as well, reading other people's novels both good and bad is key among them, but you also have to learn to break down why they're good and bad. This works with both published works and web serials.
You can also takes classes, attend seminars and read books all around learning how to be a writer. All of these remove roadblocks in your path as you work towards becoming an author. But you still have to write, and you have to write a lot. Before you consider going pro and wasting time and money hiring a literary agent you need to do that.
Now to get back to the original question, I'm not sure what the contract looks like so making an absolute statement is impossible but lets break down one other thing I've seen thrown around, nothing you sign is going to make you a slave or a sweatshop employee. It makes you a contracted professional, which means that for each set amount you write you get paid a certain amount. And that's not just thing with Webnovel or because the company originated in China. You can get a similar deal writing disposable romance novels according to what other professionals have told me.
Could you possibly earn more with a site that collects donations for you, yes. I'm not going to argue that it is possible. But it also makes you a tipped professional rather than a contracted professional. That means that if your readers decide to not pay you, you don't get paid.
Your other revenue option is to have your novel published, either by submitting it to a traditional publisher or by self-publishing. Both of these options are beyond the scope of a single post, but I'll sum it with it takes a lot of work to convert a web serial to a novel, and then you either have to shop it around and face the rejection/revision cycle or you have to self publish and then you have to self-promote because no one else is helping you.
Webnovel is also going to translate your novel to republish over seas according to my understanding, that's a group of readers you wouldn't reach otherwise. Again there is revenue potential there but unless you're hiring an editor and a translator so that you can publish in more than one language, that's revenue you can't capitalize on. Letting someone else do the work for a piece of the pie is pretty standard. When you're small and just starting to write the share they take is bigger, once you've written a few pieces your share gets bigger. Standard business sense.
The last thing I want to touch on is your rights. Your characters, the worlds you've built and everything else. While you will give up part of that, I'm going to be honest with you and say that it's not worth much. I've seen a lot of people get hung up on ownership of their work in these forums and I think there is a gross overestimation in what that's worth.
Unless you have written a truly sweeping epic story no one is going to look at it and want to convert it into a manhua or an anime or a movie as is. There's a lot of editing, revising and rewriting that happen first. Most web serials can't even be published as light novels without major reworking. Flatly the world you built and the characters you designed don't have a lot of value in my estimation, the words you put on a page are what you're selling and that's what you get paid for no matter where you release.
Most of the value in the world you built is only sentimental. It's you being proud of what you did and there's nothing wrong with it. I am aware of literally only one case of where one author built a world and wrote the story and another author wrote a second serial, taking over his world and characters and writing his own vision. And if I remember correctly that was done amicably because the original writer was lost and didn't know how to further develop his own world.
As a writer you also need to be able to let that go and write something else. You're a writer and because of that you have more than one story in you. Even if you sell one and you find yourself getting the short end of the stick write another and get a better deal. You might write four or five before you get the terms you want, but that not unheard of either. If you're writing to break into this professionally it's what you'll have to do, and if you're writing as a hobby and hoping to earn a small secondary income then you're probably not super paranoid about your contract anyway.
Being some level of professional author isn't hard (been there, done that--even saw my book on the shelves in Barnes and Noble). Having it as a full time profession is pretty difficult, especially if you live in the US and need health insurance (not been there, not done that).
That said, for pay is for pay, and for fun is for fun.
But if the publisher is making more money from a book than the writer--something is wrong with the system. Not being JK Rowling doesn't mean you should let people exploit you.
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Yeah if you are just starting out and wrote your first webnovel, maybe it got semi popular near the tens or 20s for a long time and has over 100 chapters and consistent the company goes. Hey a new webnovel author let's offer them the trash contract.
You say yes, you write. A year or two later you finish your first webnovel. You write another webnovel, it does well too. You can now ask for a slightly better contract because you seem more experienced and it looks okay.
A year later you end it at a good point and your third novel does away better, woo you ask for more they give more.
8 years of this or whatever you can start asking for way more money because your good and deserve it and you have years of proof.
See you take the shit contract maybe negotiate a little bit, finish a novel successfully, dont drag that shit out until your user base hates you for the love ofGod you need those guys to come back to you, not the novel, you.
You write another good one and ask for more.
Yeah the first contract is crap but at least you got your foot in the door. So can a 15 year old as long as the webnovel is neat, you need to be consistent for a long time to ask for the good contract okay.
The first time webnovel writers often screw up, they're new. That's why the first contract is crap. There's lots of examples of novels that used to be top 10 or whatever then the authors brain died and he does something stupid and his reader base dies. That's why they gave him the crap contract they still got to pay him per chapter or whatever even if it's a loss. They throw a big wide net of cheap contracts and the good ones get more bad ones die off and can't ask for more.
The ability to negotiate as you go comes entirely from having options. One of those options is to never publish with WN at all, but to submit to other publishers that offer more from the beginning, or self-publish. A miserly deal is a miserly deal, consider your options.
Clowniac Have you seen the contract though?
@yaoyueyi Necro and please come here quick before this turned into another battlefield of arguments.
MaxwellKHA @yaoyueyi Why someone can't 'necro' is beyond my comprehension. Also, why is there even a forum, if not for discussion?