- Edited
I had been thinking recently about how China's Communist values are rarely, if ever, reflected in the webnovels we read and was wondering why that is. Communist China encourages a cooperative way of living where everyone in China is on the same team and goes to great lengths to maintain that image of codependency. Whether or not that is truly how China operates can be debated, but it cannot be argued that China's culture centers on the idea of everyone being a part of a whole. This ideal is not seen in these novels. If anything, these novels often depict a protagonist going against the grain of society and fighting the established structure to destroy it or at least alter it to their liking. While most Chinese I have met in my time in mainland China adhere to the idiom, "The nail that sticks out gets hammered down," that idea often seems to be rejected by Qidian's authors.
I think that in part it is a necessary aspect of an extended novel. Many of these novels go on for hundreds of chapters, but can only do so in some fairly specific and repetitive ways seeing as conflict can only be between the protagonist and the self, the other, society, or nature. I rarely see any tragic heroes with fatal flaws in these novels, and other avenues of conflict with the self such as mental illness are deliberately marginalized by Chinese society. As a result conflicts with the self are often secondary to the plot. Conflicts with other people are common, but can only take you so far before it begins to drag. Spending hundreds of chapters confronting one antagonist fatigues the readers' interest. Parading one person for the protagonist to face after another to keep the story going hurts the story even more as I feel it makes the plot feel tired and forced. Conflicts with nature are seen in some cases within cultivation novels as "heavenly tribulation," but the tension in those scenes is almost never drawn from the actual confrontation with the tribulation, but from interlopers trying to profit from the protagonist's struggle in one way or another. Sometimes heavenly tribulation is not so much a conflict as it is Deus Ex Machina to give the protagonist a power up in their time of need. So then the only means left available for authors to produce conflict is to confront societal norms. As a result, the protagonists in these novels often start from nothing and go through great pains to climb the social ladder, and is met with heavy resistance from the status quo. This conflict of having to challenge a group above the protagonist are almost ubiquitous within Chinese webnovels. In a sense, many of these novels fall victim to their own length. The only believable conflict that can take hundreds of chapters to over come is one where a person has to over come not just one person or a natural disaster, but an organization with various goals in contrast with the protagonist's and hold bases of operation throughout multiple settings to keep things fresh.
I also question whether this conflict with the ruling classes in these novels is not reflective of an underlying truth that China's people are not of one mind the way China would want. It seems that the most popular novels tout Western ideals of individualism and personal success over collectivism and working towards the greater good. Again, this could just be due to the nature of storytelling thanks in part to the requirement of conflict, but I think it could also hint at an underlying sentiment in China that people are not as keen on some Communist ideals as we may be led to believe. Otherwise, why would so many successful novels depict protagonists who tear down presiding regimes for personal freedoms and gains? Why would so many authors create these characters who held such an individualist attitude, and why would so many Chinese citizens consume this media?
Feel free to respond below; I'd love to hear others' thoughts on the matter.